A deep violet-brown that reads like tilled garden soil at dusk.
Mossy Hollow
#3E5C3A
rgb(62, 92, 58)
A muted forest green pulled straight from new leaves and stems.
Hyacinth Bloom
#8B5FBF
rgb(139, 95, 191)
A saturated purple with the velvety weight of a hyacinth petal.
Tulip Blush
#F27E9E
rgb(242, 126, 158)
A warm, punchy pink borrowed from an open tulip cup.
Marigold Cheer
#F2A93B
rgb(242, 169, 59)
A golden orange with the sunny confidence of a marigold head.
Daffodil Light
#F7D94C
rgb(247, 217, 76)
A clear, high-key yellow like the center of a daffodil trumpet.
Fresh Sprout
#C8E6A0
rgb(200, 230, 160)
A pale yellow-green like a seedling unfurling its first leaves.
Easter Garden Glow leans into the collision of colors you get when a flowerbed comes fully alive at once — no single hue dominates, and that's the point. Damson Plum and Mossy Hollow sit underneath as low, quiet tones, giving the brighter members of the set something to push against. Hyacinth Bloom bridges the cool and warm halves, while Tulip Blush, Marigold Cheer, and Daffodil Light supply the sugar-rush energy most people associate with Easter mornings. Fresh Sprout closes the loop with a green light enough to read as new growth rather than lawn.
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Seasonal retailers, bakeries, and children's brands can pull individual notes from this set without needing all seven at once — Marigold Cheer and Tulip Blush alone carry plenty of spring signal for a packaging label or social graphic. Event designers planning egg hunts, brunches, or garden parties have a built-in palette for invitations, table settings, and signage that won't need much extra styling. The plum and moss pairing also gives editorial or lifestyle brands a way to reference spring without going full pastel, useful for anyone publishing content past the holiday itself into general spring content.
Use Damson Plum and Mossy Hollow for text and structural elements where you need contrast against the lighter colors — both hold up fine against white or cream backgrounds. Daffodil Light and Fresh Sprout are close enough in value that pairing them directly can wash out edges, so give them breathing room or separate them with one of the darker tones. Hyacinth Bloom works well as a mid-tone bridge in gradients or multi-color illustrations, smoothing the jump between the pinks and greens. Export the full set as CSS variables or a Figma library so the seven hues stay consistent across print and digital touchpoints.
