A deep umber-brown that recalls damp tree trunks holding up the flowering canopy above.
Petal Dust
#C97B84
rgb(201, 123, 132)
A dusty rose-mauve, muted enough to read as sophisticated rather than sweet.
Sakura Pink
#F4A6B7
rgb(244, 166, 183)
The classic cherry blossom shade, warm and saturated without tipping into neon.
Blush Whisper
#F9C9D3
rgb(249, 201, 211)
A pale pink so light it nearly disappears into paper, ideal for backgrounds.
Morning Sky
#BFE1E8
rgb(191, 225, 232)
A cool, washed-out blue that stands in for the thin spring sky behind the branches.
Cloud Petal
#FDF3F0
rgb(253, 243, 240)
An almost-white ivory-pink, the color of the lightest falling petals catching sun.
Cherry Blossom Bloom pairs the fleeting pastel pinks of sakura season with a single anchor of bark brown, giving the set enough weight to avoid feeling ornamental. The pinks range widely — from a dusty, almost terracotta rose to a barely-there blush — so the palette reads as layered rather than flat. A pale sky blue slips in as the only non-pink hue, doing the job of open air between branches. Together the six tones feel seasonal and specific rather than generically feminine.
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Floral shops, spa and wellness brands, and stationery lines can use the pink range to signal softness without leaning on cliché baby pink, since Petal Dust and Sakura Pink both carry enough saturation to hold their own in a logo or product label. Wedding invitation suites and boutique packaging benefit from the tonal gradient here, letting a single brand mark shift between light and dark versions across different materials. The bark brown gives copywriting and icon work someplace to land when the pinks alone would wash out on a light background.
Use Weathered Bark for body text or line work and let the pinks carry illustration, photography overlays, or section backgrounds. Morning Sky works as a quiet complement in UI states — hover effects, secondary buttons, or subtle dividers — where a second hue is needed but shouldn't compete with the pink family. Cloud Petal makes a gentle substitute for pure white in print layouts, warming up the page without calling attention to itself.
